#Neil diamond top rated live performer movie#The Feel of Neil Diamond | Just For You | Velvet Gloves and Spit | Brother Love’s Traveling Salvation Show | Touching You Touching Me | Tap Root Manuscript | Stones | Moods | Hot August Night | Jonathan Livingston Seagull | Serenade | Beautiful Noise | I’m Glad You’re Here With Me Tonight | You Don’t Bring Me Flowers | September Morn | The Jazz Singer | On the Way to the Sky | Heartlight | Primitive | Headed for the Future | The Best Years of Our Lives | Lovescape | The Christmas Album | Up on the Roof: Songs from the Brill Building | The Christmas Album, Volume II | Tennessee Moon | The Movie Album: As Time Goes By | Three Chord Opera | 12 Songs | Home Before Dark The Feel of Neil DiamondĪfter years of struggling away as a songwriter, Diamond enjoyed some success with hits for The Monkees and Jay and the Americans. I’ve skipped over his live albums apart from the iconic Hot August Night. I’ve covered Neil Diamond’s studio albums through to 1980’s Jazz Singer soundtrack, as well as his two acclaimed records in the 2000s with Rick Rubin. At his best, his insecure and sometimes goofy persona fuels some unique pop hits. But I thought it would be interesting to revisit his albums after a long time away – he’s a mega-selling artist who doesn’t receive a lot of analysis. He’s not a particularly consistent album artist his song-writing is limited in scope, and he sometimes relied on covers to pad out his albums. After a couple of albums of fun rock and roll for Bert Berns’ Bang! Records, he switched to MCA Records and after a slow start, scored big hits like ‘Sweet Caroline’ and ‘Cracklin’ Rosie’.Įven in his younger years, Diamond’s material’s often sedate and augmented with lashings of orchestration, and it’s not always relevant to rock and roll fans. He struggled along for years, but when he started experiencing success with songs like The Monkees’ ‘I’m A Believer’, he was given the chance to launch his own solo career. Author David Wild labels Diamond as the Jewish Elvis and the Hebrew Hunk, while critic Lester Bangs wrote that Diamond writes “great, pretentious, goofy pop” with a melodramatic, “hymn-like feeling”.ĭiamond started working as a songwriter in the early 1960s, emerging from Brooklyn and then Queen’s College, along with contemporaries Carole King, Paul Simon, Neil Sedaka, Gerry Goffin, and Barbra Streisand, all of who came from a Jewish heritage. New York’s Neil Leslie Diamond’s an interesting figure – he’s simultaneously an introspective songwriter and a housewife pinup a la Tom Jones or Elvis Presley. While my cooler peers were listening to Nirvana and Green Day, I was absorbed in retro mainstream artists like Paul Simon, Billy Joel, and Neil Diamond. I was a teenager during the 1990s, but I never went through a rebellious phase.
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